Coaching Notes: Building Anti-Racist Book Clubs

ECXjN5IWwAAS_RCThis summer, I worked with my administration to make a substantial investment in non-canonical texts for students in one of our AP courses.  Students were being assigned to read mostly white male authors like Fitzgerald and Hawthorne, even as the class was becoming increasingly less white and male due to building and districtwide initiatives to ensure that AP and honors classes were accessible and inclusive to all members of our community.  Students of color, in particular, saw mirrors for their white peers, but mainly windows for themselves (to paraphrase Dr. Sims Bishop), and there needed to be a different balance if we hope to create a sense of belonging for students.  To foster a sense of belonging, we needed to interrogate how whiteness influenced and was being enacted in curriculum.  Students now have access to Bryan Stevenson’s Just Mercy, Jesmyn Ward’s Men We Reaped, Michelle Alexander’s The New Jim Crow, and Jose Antonio Vargas’ Dear America among others.

Access to texts is important, but so are the practices we use to teach them.  Too often, we read authors from LGBTQ+ backgrounds, authors of color, and authors from non-European countries to be compliant, to check a box, or to perform equity and inclusion rather than taking seriously the anti-racist, anti-homophobic, and anti-Eurocentric our work—and these works–demand.  In other words, there is a way to read any of the texts we purchased without actually reading them; we could attend to the words on the page without ever feeling discomforted or challenged.  Students can get bogged down in rhetorical analysis and lose sight of the larger historical precedents and systems we, teachers and students alike, must urgently confront.  Many of the text choices we made and much of the thinking we’re doing around how to best teach them are the result of the amazing ideas shared by the #DisruptTexts team.

While I was able to advocate for new books as a department chair, implementing responsive teaching around these texts is a significant part of my role as an instructional coach because, ultimately, we’re not teaching books, we’re teaching students.  Shifting practice, a second-order change, is especially difficult because our pedagogies—the way we’ve always done things—are so interwoven, often uncritically, with our professional identities.  To use DiAngelo’s work, pedagogical pushes toward equity are subject to white fragility, which can even stall changes that educators support at the conceptual level.

Our comfort as educators can’t come at the expense of our students and their lives, and when we work to drill a book like Just Mercyas AP test preparation through ahistorical teaching or without giving students space to freely talk about important issues, we’ve moved toward compliance.  Equity, inclusion, and anti-racism are not box-checking exercises.  This part of the introduction from Teaching Black Lives resonates:

“Provide a social justice, anti-racist curriculum that gives students the historical grounding, literacy skills, and space to explore the emotional intensity of feelings around the murder of Black youth by police.  At the same time, deep discussion of these heavy issues needs to be built on strong classroom community.  Students can’t launch into discussions of racism without a basis of trust and sharing among students and between students and teacher.  This is the slow, steady work of meaningful classroom conversation, purposeful group work, and reading and writing about critical social justice and personal issues.”

This provides the framework, and we have to think about the practices within that framework that will help us meet our equity goals as a school and a community.  Anti-racist outcomes are made possible through anti-racist practices, which require all of us—especially white educators—to consider whether we’re moving toward anti-racism or existing in symbolic compliance when the door closes in our classroom.  Important, urgent texts in the hands of people checking boxes can ultimately do more harm than good.  As Benjamin Doxtdator writes:

“Expanding the canon isn’t only about creating a culture in schools where students of color see people who look like them represented in what they read, but also de-centering whiteness so that all students have expanded perceptions of the intellectual legacies of people of color.”

I’m currently working with a teacher to ensure that we’re teaching our students and these texts responsively and responsibly by creating anti-racist book clubs that empower all of our students to have important conversations and take vital action on equity and social justice issues in a supportive, trusting environment.  Students will get to select their books during the book club.  While we know the benefits of this work for our students of color, our white students, who make up the majority of our school’s population, need to also engage in substantive interrogation of their identities and what and how they mean if we hope to create a more just future. Here’s how we’re approaching these anti-racist book groups, which are a work in progress.

Community Building + Goal Setting

Without a meaningful, substantive classroom community, meaningful discussions about social justice and equity are virtually impossible.  In order to build the student-to-student connections required to have substantive dialogue around important topics of social justice, students will work together to look through the Social Justice Standards from Teaching Tolerance and decide two major goals they want to focus on during the course of unit.  Students will work individually and collectively to meet these goals during the course of the unit (and beyond), and they will complete several small reflections and one larger summative reflection to chart their progress.  These standards don’t replace the academic goals that we have, but we feel they make them more possible by making the classroom increasingly safe and equitable. Centering this work for students—and trusting and supporting them to own it—is an important step in reducing prejudice and engendering collective action, which the standards are meant to support.

Building Historical Context

In a different class that I was in this week, the teacher continually asked their students after reading a section of the textbook, “Who haven’t we talked about?”  These discussions are important, as our curriculums and the companies that control them, elevate and amplify the powerful while minimizing what artist Glenn Ligon calls the  “small-h histories” of the women, children, indigenous and black people of color who have been vital in the “big-H” History of our country and our world.  Each book group will spend time closely reading through curated primary and secondary documents designed to challenge, extend, or confirm their thinking.  Students will apply their thinking to their book, which we hope will provide them with important context for understanding from perspectives outside the privileged who have been consistently represented.  In a recent interview, Michelle Alexander, author of The New Jim Crow, said:

 “I think this mythology—that of course we’re all beyond race, of course our police officers aren’t racist, of course our politicians don’t mean any harm to people of color—this idea that we’re beyond all that (so it must be something else) makes it difficult for young people as well as the grown-ups to be able to see clearly and honestly the truth of what’s going on.”

An ahistorical teaching of these texts can allow mythologies to linger and the biases inherent in these mythologies to continue unchallenged, just as the myth of colorblindness has been allowed to continue. We need to correct the old histories we’ve heard repeated time and time again, and we need to find new histories, too.  In correcting old histories and learning new ones, it’s also important we resist the urge for a single story.  No group of people is monolithic, so thinking about the vast array of experiences is incredibly important.

Understanding Systems

In addition to book groups that will provide necessary historical context, I suggested using twice-weekly “panel discussions,” which allows students from each reading group to talk amongst each other about an important-yet-probing questions while others listen and generate additional important questions that they want to talk about or that they want to pose to the group.  Understanding the connections between the books and the systems represented within them is significant, as it permits challenges to and action against the supposedly normal, “common sense” structures that are in place to maintain the status quo.  Our students, as Ibram X. Kendi suggests in How to be an Anti-Racist, need to take an active role in thinking beyond now and engaging in thinking and action to build an anti-racist future.

 

These are the urgent-yet-imperfect first steps we’re taking to #DisruptTexts in a course that needs it.  As Tricia Ebarvia writes, we know that there will be “discomfort and defensiveness” from teachers and students as we engage in this process, as we have to confront racism directly and whose knowledge gets valued and whose stories get heard shifts away from those in dominant positions, but we need to remain committed to this work and critical of our own practice to avoid slipping back into what’s comfortable at the expense of what our schools, students, and communities need: an anti-racist education for an anti-racist future.  An unwillingness to do the urgent work required of us means that kids will be (re)traumatized and (re)harmed, and we have a moral obligation to work actively against trauma and harm.

Creating Abundance: Making Space for All Readers When Using Whole-Class Texts

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One of the most frequent conversations I’ve had this year as department chair has been about students who don’t do the assigned readings for class. When folks initiate these conversations, they tend to do so for commiserative or palliative reasons, meaning they either want a knowing nod or pedagogical reassurance.  As a leader, one of the goals I have for the new year is to steer these conversations into a more reflective direction that allow individual teachers and my department as a whole to consider substantive reasons for why students might not be reading what we assign that moves beyond “kids these days” and to think about alternatives in pedagogy and practice that might increase reading participation without resorting to compliance-based methods that lead to performative reading in school and, worse yet, disengage students from the thought of readerly lives outside of school.    

The benefits of choice reading for students are well-documented.  I’ve written about how reading has been, in a way, recuperated from the doldrums of school.  However, there are sociopolitical realities for teachers in schools that often makes a choice-centered classroom a difficult proposition.  I worked in a district that mandated whole-class texts and required every teacher to be on the same page as their colleagues on the same day.  Not being on schedule was cause for at least a talking to by someone with authority.  Even choice reading, when it was allowed in one unit, featured lists of vetted books that were at the “correct” level.  In addition, while choice reading can be a really great tool for engagement, not every school—let alone every teacher—has the resources for a robust library and might rely on whole-class texts provided to them.

If we’re assigning whole-class texts, then it’s important to realize that our reading might not be a priority on a given day.  Students are in several classes with competing deadlines and they have pressing interests and necessities outside of school that need to be taken into account.  It’s here where I’ve seen teachers shame students, often passive aggressively, by finding ways to exclude them from participating in class, engaging with their peers, or reducing their grade through fact-based quizzes or reading logs, and it’s here where I think we can consider alternatives, namely making assigned readings part of a recursive, integrated learning process and finding ways to allow students who may not have gotten to the reading to meaningfully participate. This comes from a foundational belief that students want to learn and that, if they’re present, they should be able to come away with abundance rather than scarcity.

Students are very honest with me about their reading lives, and I appreciate their candor: they tell me when they didn’t have time to read, they let me know when they didn’t understand something, and they’re quick to tell me when they took what they needed and left what they didn’t in one of our whole-group texts (and, sometimes, what they needed was to not read). Their openness creates room for dialogue about their readerly lives and why and how we make these sorts of choices, which is always interesting and never punitive.  We need to trust our students to shape the learning environment and process in a way that works for them, even when we’re assigning whole-class texts.  Most often students read—or go back and read—because they know our learning is moving somewhere; it’s not a parade of texts for the sake of saying we read, but something connected to larger ideas and concepts.  Students also know that concepts are recursive, so while reading is important and encouraged, missing a single text or not reading every word of every page isn’t going to “cost” you.  Again, it’s important to focus on the abundant knowledge that students have and the skills they bring to the classroom rather than focusing on what they can’t do yet or wouldn’t do today.

One of the best ways to create abundance during whole-class texts is to make your classroom passage-based.  A passage-based classroom allows students to engage with key aspects of a text in ways that are both low-stakes and personally relevant.  Indeed, one of the keys to using smaller blocks of text to call on key themes and ideas in a passage-based classroom is to avoid asking convergent questions; these make any discussion or activity feel like a guessing game or like a compliance quiz masquerading as genuine engagement.  In my Humanities class, we work with non-fiction texts frequently, and I like to start out by asking small groups of students to think about two claims the author is making and why the think the author is writing the piece and to select at least one piece of evidence from the text that engages these ideas.   This works as a getting started strategy because it allows students—and me—to get some foundational understandings of the text while charting a path for the day’s discussion.  Here, students reengage the text: students who have read the text and have comfort with it push the boundaries out, often thinking about alternative meanings for the texts, students who read and don’t feel comfortable have a chance to sound themselves out with peers, and students who may not have read or read very little get a chance to skim the text and get oriented to some of its structures and major points in a low-stakes way that might encourage them to revisit what they missed.  This can generally branch into other work like passage-based turn and talks, chalk-talk assignments where students have an opportunity to make written interpretations using their thinking and have other students agree, disagree, problematize, or connect their thinking in writing, or passage-based philosophical chairs activity that asks students to move based on their agreement, disagreement, or desire to problematize the passage.  In each of these examples, the key is that students are not interested in being right or proving their devotion to a reading calendar, but they are making meaning together and thinking through key ideas in a way that’s inclusive and makes them want to engage the text more fully later.  I believe in my core that students don’t enjoy coming to class feeling inadequate and unprepared.  My goal is never to shame these students, but to invite them back into the process to ensure that they feel like going to back and reading is relevant and useful.

If a student is in your room, they want to learn, and we need to make space for everyone, whether they had a chance to read that day or not.

Reflections from the 2018 National Day on Writing: Imagination, Empathy, Equity Highlight Why We Write

On Friday, October 19, 2018, my tutors from the Skyline Writing Center traveled to the Sweetland Center for Writing at the University of Michigan to celebrate the National Day on Writing with Christine Modey’s tutors. The National Day on Writing, sponsored annually by NCTE, is a time to remember the reasons that we’ve been compelled to pick up a pen, open a computer, and share our thoughts.  I wrote in a recent post that while reading has been rescued from the doldrums of compliance by a committed group a big names in the field, like Penny Kittle and Kelly Gallagher, writing has yet to undergo the same transformation in our schools, as students still mainly write for internal audiences, for standardized testing and college admissions ends, and for grades.  There’s very little to fire the imagination or stoke passion, and, by the end of high school, writing can even be something dreaded, particularly if the institutional ecology isn’t equipped to or compelled to raise student voices in any substantive way.

The student choice movement in reading is having huge impacts on students in my classroom and classrooms around the country: twitter chats are springing up about choice reading, teachers are sharing their successes daily on social media, and studies are being done to provide additional support for schools, administrators, teachers, and parents that are reluctant to embrace the power of getting students paired with the right book.  This is exceptional work, as building students’ literacy skills is the key to building equity in our schools and districts, but we often leave writing out of this vital discussion.  Getting students to reconnect with writing as fun–as a legitimate way to share feelings, expand thoughts, and create change–can have huge impacts on our goals to close achievement gaps by raising and amplifying student voices.  We can change the institutional ecologies around writing, slowly, but surely, and recuperate writing from its position as the thing you have to do rather than the thing you choose to do.  Practicing writing in volume–in all of the disciplines–is a great way to help students get better, particularly if they can see the impact of their words.

The opening “icebreaker” sessions were designed to get students thinking critically, working collaboratively, and engaging creatively with writing and with one another.  Students rotated through three stations: a station where students completed the phrase “I write because…” on paper circles that would be displayed in our Writing Center and shared their responses with their group, a station where students completed an “Exquisite Corpse” activity that encouraged students to play with language, and a game where objects were tossed around a circle in a pattern to model the many academic, social, and emotional demands of peer tutoring and the importance of teamwork and communication in an often-stressful environment.  This year, the Skyline Writing Center welcomed 30 new tutors, our largest number since we opened, and with limited time during the school day for community building, having genuine opportunities for students to connect, build trust, and share vulnerability in a contextually meaningful way was vital for the social-emotional growth of our tutors and the edification of tutor-to-tutor relationships foundational to our continued success.

The next part of the day would center on getting students to consider how they can use their voices as everyday advocates for educational equity at Skyline, in the Ann Arbor Public Schools, in our region, and even as part of large national networks.  Students were able to write letters to local, regional, and national officials suggesting reforms to elements of their school or schools more generally that need to be shifted so that all students have equal opportunities to achieve, students could make videos about times when they saw writing make a social change, and they were able to create art that will be displayed in our Writing Center to help other students see the importance of literacy and writing, especially as we try to narrow persistent achievement gaps. 

Edifying trust and sharing vulnerability earlier in the day with our “icebreakers” was vital, as students worked in small groups to share ideas about writing and social change, which required them to be open about their beliefs, values, triumphs, and tribulations and to listen to and be empathetic to experiences potentially far different from their own.  Our Writing Center, which contains multitudes of diversity, requires students to engage with one another on socially cellular levels to have “epiphanies of other,” which activities like this encourage.

Our final activity of the day was an ekphrastic writing competition at the University of Michigan Museum of Art (UMMA), which opened early to accommodate our group.  Ekphrastic writing has been shown to be instructive for students learning to be empathetic, which was part of our day’s intent.  Tutors had the run of the Modern Contemporary gallery, and were given about 20 minutes to compose a poem based on a piece of art they select.  Students were put in groups to select one poem to move to the final round, which was judged by Raymond McDaniel, the world-famous poet.  Students not only had to take perspectives when telling stories based on the art, but they were treated to the perspectives of other students, compelling them to engage in stories and experiences that aren’t their own.  This was an exciting creative experience for students–it was fun, public, and sharable–and it was an important lesson in the importance of stories to our fundamental humanity.

The Urgency of Imagination: What #WhyIWrite Means Now

If you look in the student-blaming outposts on Twitter, you’ll find literally millions of “kids these days” posts about how entitled, lazy kids are responsible for an epidemic of plagiarism without a moment of reflection or introspection from the tweeter themselves (I won’t link them here, but you can find them by searching Twitter): what was the assessment, and did students find it relevant and meaningful? Did students master the necessary skills, such as paraphrasing, prior to the assessment being given? If a student is only writing for a grade or if they feel like they lack important skills, they might turn places we don’t want them to turn. It’s hard for teachers to hear that plagiarism is rarely a student’s first resort, and, often, a symptom of a larger issue with the assessment or their pedagogy. This isn’t to say that there aren’t students who might cut corners, but defaulting to that conclusion requires a fundamental belief in some of the deficit-oriented thinking that might be causing some of the issues in the first place.

At a recent professional development session, I heard a teacher say: “Grades are the only way to get students to improve their writing.” Despite this being anathema to my own beliefs and practices, I took a moment to think through this because, on its face, there might be some truth here; students will often compliantly do what we ask for a better score, and they might learn some skills in that kind of revision process. My worry with this formulation (and others like it) is that the skill students are really learning is how to “do school;” good soldiers get rewarded. I’m also concerned that if a critical mass of a teaching staff believes that grades move writers, they probably believe that scores compel readers, too. There’s a great ILA article, written by Colette Coleman, on the way that students get pulled toward teacher interpretations of a text rather than pushed to develop their own. The article implies that teacher assessment might have something to do with this phenomenon:

When a teacher conveys that students can get to an author’s meaning only through her or his hints and leading questions, the underlying message is that students can’t navigate the text on their own.

My sense is this happens more than we like to admit, and my sense is that this makes students largely insecure about their own abilities to make interpretations and the veracity of their interpretations when they do make them. If that’s the case, can we really be shocked or surprised when a student hits SparkNotes or Shmoop to validate their thinking by finding the “right” answer? Barthes may have argued that the author was dead, but, often, the author—and their adjacent Authority—lives on through our work in the classroom, especially our assessments, which reward alignment with our ideas and agreement with the literary establishment.

Once the Author is gone, the claim to “decipher” a text becomes quite useless. To give an Author to a text is to impose upon that text a stop clause, to furnish it with a final signification, to close the writing. This conception perfectly suits criticism, which can then take as its major task the discovery of the Author (or his hypostases: society, history, the psyche, freedom) beneath the work: once the Author is discovered, the text is “explained:’ the critic has conquered; hence it is scarcely surprising not only that, historically, the reign of the Author should also have been that of the Critic, but that criticism (even “new criticism”) should be overthrown along with the Author.

Not only is this inherently inequitable, as much of the canon and its attendant literary criticism are written from dominant perspectives that lack what bell hooks terms an “oppositional gaze,” but it facilitates a fatalistic sense for students that the interesting, engaging work is done. All that’s left is the parroting and the grade, and why spend time on something that’s a fait accompli?   It’s all over but the scribing.

All of this being said, I believe that what motivates students to write is relevance, choice, and opportunities to fire their imaginations, but it seems like assessments that ask students to do this kind of work are rare, at least in my educational circles. Recently, Ann Blakeslee and Cathy Fleischer from Eastern Michigan University visited to talk with students about our community-facing partnership, and students were asked to reflect about their interest and their questions about the work. Their questions and concerns largely centered around nervousness on doing the work “correctly;” they were really interested in being “right.” This was surprising, and, if I’m being honest, a little discouraging; our Family Fun Nights are all about writing along with students, actively engaging them in storytelling and sharing, and, most of all, helping kids and their families find the fun in writing (as they often find in reading). We never correct, edit, or otherwise comment on someone’s writing at one of these events, and there’s really no way to be “right.” You can be authentic or you can be inauthentic, but that doesn’t have much to do with being “right.” Problematically, however, tutors, most of whom are new, couldn’t really conceive of what this sort of event looked like and how they could promote fun and imagination in writing. Some even said after that they struggled to understand how fun and play could be a force for literacy building, and I have to think that it’s partially because that’s so far away from their current lived experience. What’s writing without grades and competition and assignments and compliance? Without these motivations, participation seems almost pointless: what are we doing this for again? One of the purposes of Family Fun Nights is to help K-8 kids keep their imaginations engaged longer and stave off writing as a purely academic exercise, but there’s some worry on my end on whether my tutors are fundamentally equipped, at least in terms of mindset, to do this work.  In truth, I think our Family Fun Nights do more for my students than we do for the K-8 students.  Indeed, my students need to recuperate their will to write from the grips of a compliance-based machine that has made writing about learning management systems, an interpretive guessing game whose answers are only a Google search away.

I’m excited about our Writing Center’s upcoming visit to the Sweetland Center for Writing, as we’re going to celebrate the National Day on Writing with activities for our tutors that reimagine and rekindle why we write with our college-level colleagues. My sincere hope is that students can remember what drew them to writing in the first place, which I’m willing to wager wasn’t anything that’s drawing them there now. If we can remember why we write, we have a good chance to help others do the same. There won’t be anything to Google, their won’t be any interpretation to mirror, and there won’t be any grades assigned at our event, but I would argue what’s at stake is more important—and more urgent—than any of that. I’m hoping students see it that way, too.

 

The Politics of Policing Reading in Secondary Schools

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On this week’s #CELchat, I mentioned one of the central pedagogical tensions in the schools I’ve taught in is how to hold students “accountable” for assigned readings, a job that mostly has fallen to some sort of assessment mechanism like a multiple choice or short answer reading quiz that measures recall of a text’s key details.   It’s difficult to eschew practices that are engrained part of a school’s culture, and my eventual unwillingness to engage in policing reading through pseudoassessments, which are more guessing games than anything else, has earned me some blank stares, dirty looks, and stern lectures over the years from colleagues, department chairs, and administrators. 

My opposition to these practices has two parts:

  1. Grades don’t motivate students who aren’t reading to start, and grades compel compliance-based reading for those who are engaging with class texts.  Signaling to students that the virtue of reading is about earning a number in a learning-management system creates an entrenched ideology that it’s a means to an end rather than an end in itself, which would send me to surfing to SparkNotes or Shmoop in a second.
  2. Assessments need to be about more than whether a student read the assignment, which opens up a host of questions about what students’ rights are with respect to turning away from a text, even one that was assigned.  My sense is that teachers take it personally that students don’t read, and, in my theory, why so many pseudoassessments are given: it’s a way to command authority and respect through rituals and practices.  The less students read, the more we double down on making sure they know they didn’t read, a move which rarely works.  Amy Hasinoff recently wrote about this control-seeking behavior and it negatively impact on our relationships with students.  It’s important to recognize that students may have a host of complicated reasons for not reading that have nothing to do with laziness, apathy, or disdain for a teacher.  A student should still be able to engage in and learn from class even without having read a whole assigned text closely (and, maybe, even at all).

These two beliefs open up interesting ideological and pedagogical questions about what we mean when we ask students to read and what the rights are of someone we’re willing to call a “reader.”

I had a conversation with a student during this past week, on the sixth day of class, who sheepishly confessed that she didn’t make it through one of the denser readings I assigned, and students were surprised when I asked them to get as far as they thought they could in another dense reading before coming to class to hash out what they learned.  In An Urgency of Teachers, Jesse Stommel writes: “I try to encourage students to be honest about how much they read, what the reading looks like, when they stop reading, when they start again.”  Indeed, we frequently assume that reading is a linear process with universal outcomes; the idea that everyone can and should be done with your assigned readings at the same time and obtain the same information is a problematic ask.  Rather than giving quizzes or bemoaning my students’ reading abilities in commiserative teacher talk, I like to engage students in a conversation about different types of reading strategies and their reading process: why they read a section closely, why a passage stood out to them, how they made meaning from what they did encounter, and some ways they might consider making meaning next time.  A significant part of education is learning about your own learning and understanding the processes you need to make critical encounters with texts.  Psuedoassessments to shame students into writing shut down these reflective conversations in which students and their teachers can imagine alternatives.  Discussions about assessment grades and points, whether their formative or summative, can tend to cloud these conversations with an unhelpful, unspoken subtext.

It’s also vital to consider as educators the compelling reasons that a student might look away from a text, as there are likely very good reasons we’ve done the same in our own reading lives: boredom, pain, we’ve gotten what we needed.  Abandonment, disengagement, skimming, scanning, and all of the other strategies are readerly choices or moves that deserve our consideration and, more importantly, the consideration of the readers themselves.  Put slightly differently, I’d rather have a student skim a text or stop halfway through than be completely apathetic to it.  Apathy represents a kind of intellectual nihilism, while other strategies represent a more active choice, a kind of important agency.  What matters is not whether students read in the way that we think they should; what matters is what they do in response to the reading.  What matters is what kind of reader they become, and becoming a reader requires space to make real-deal choices about not only what to read, but also how to read and how much to read of texts they encounter.  This isn’t disdain, disrespect, or disengagement, but, instead, it’s the opposite.  Later in An Urgency of Teachers, Stommel quotes Mark Sample: “what is broken is also twisted and beautiful.”  Breaking our deeply held notions of what it means to read or be a reader may make room for greater discovery even in the uncertainty of ceding control that we seek so desperately to regain through methods like pseudoassessment.  As Stommel writes, we need to find ways to have honest conversations around systemic and structural common sense that we refuse to replicate in our own classes.

I used to have language in my syllabus that mirrored my department’s culture that likened coming to class without having fully read as cheating and thievery; you’re riding the coattails of someone else’s work, which is a phrase I think I actually used.  These statements were definitely inequitable and probably caused some students to shut down entirely. Embarrassingly, I gave myself license to disengage from those who weren’t reading, and, in doing so, gave them reason to disengage from our community of learners.  This not only robbed them of significant learning opportunities, it also denied our classroom of their voices.  Stommel’s co-author in An Urgency of Teachers, Sean Michael Morris, cites Seymour Papert:

Almost all experiments in purporting to implement progressive education have been disappointing because they simply did not go far enough in making the student the subject of the process rather than the object.

Since ditching the mandates to police reading, I’ve been working on passage-based assessments that allow students to participate in our discussions and our learning no matter where they are on their journey through the text. The goal here isn’t to see whether students have read every page, but, instead, to see how they make meaning from texts using critical theories central to analysis. More plainly, it’s a whole lot more about skills than it is about individual texts, which is a move that has created, believe it or not, even more engaged readers than before. On these assessments, students are asked to closely read a passage, annotating it, and, then, they’re given an open-ended prompt that they use their annotations and close reading to compose.

We can’t be in the business of silencing students in our classes, especially those that our educational systems and its attendant values have harmed and hurt and who might be text-averse when they come to us because of the shame they’ve felt previously. Creating readers won’t happen with grades and threats—students, when push comes to shove, probably don’t care about pseudoassessments and their outcomes beyond the fleeting moments they took them. What they might care about is thinking about what it means to read and be a reader in a way that allows them to participate in class, be fairly assessed on their skills, and rethink reading and what it means to be a reader.